Revisiting Museum of the Moving Image Screening of The Black Kung Fu Experience Documentary, Featuring Ron Van Clief, and a Look at Chinese Martial Arts in Contemporary Black History
Mark Jacobs takes a closer look into why Chinese martial arts are popular in the African-American community.
When I attended a screening of the documentary The Black Kungfu Experience at New York’s Museum of the Moving Image last year, I noticed the film pointed out something that many have observed over the years: There appears to have developed a social intersection of African-American and Chinese culture that finds its crossroads right in the middle of the kung fu world. How to explain such a juxtaposition of two disparate cultures? Noted New York kung fu practitioner and former BET reality-TV star Novell Bell, aka The Black Taoist, offered this insight: “Brothers just love kung fu. It’s the rhythm.” Potential stereotyping aside, there seems to be a level of agreement about the nature of kung fu movements from other prominent African-American practitioners. Legendary martial artist Ron Van Clief, who’s featured in The Black Kungfu Experience, is better-known to film fans as “The Black Dragon.” Drawing from his extensive experience in both Japanese and Chinese arts, Ron Van Clief opined that the harder Japanese styles are “ugly” compared to Chinese arts, which simply flow better.
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