Photos Courtesy of Well Go USA

NE ZHA: With an elegantly constructed allegory that mirrors William Ernest Henley's 1875 poem Invictus — which asserts, "I'm the master of my fate; I'm the captain of my soul," — the Chinese animated feature Ne Zha is loosely based on a martial arts legend from the Ming-dynasty novel Creation of the Gods. With earnings that topped $650 million in 30 days, Ne Zha clearly rivals the glitz of any production from DreamWorks or Pixar, and it's appealing to audiences everywhere.


The plot revolves around a god named Yuan, who splits Chaotic Pearl into Spirit Pearl and Demon Pill, then traps them inside a lotus blossom. Since Demon Pill is dangerous and indestructible, Yuan casts a curse that a lightning bolt will kill it in three years. He tells a Taoist monk named Taiyi to make sure Spirit Pearl reincarnates into Lord Li and Lady Yin's third son. When that occurs, the son will be called Nezha. (Note: The spelling used in the film to refer to the character is different from that used in the movie title.) Fate goes awry as Spirit Pearl winds up in the villainous claws of Dragon King and Demon Pill becomes Li and Yin's son Nezha.

The only way to prevent Nezha's evil nature from wreaking havoc and slaughtering folks is for Taiyi to place the Qiankun Ring around Nezha's neck. If Nezha learns how to release the ring, the world is screwed. Taiyi and Li hope that by balancing Nezha's personality, heaven might reverse the curse. Regardless of the outcome, Li swears he'll die by Nezha's side while helping him to the bitter end.

The animation in Ne Zha's fights is exquisite. Virtual cameras move in, out and around, creating martial arts action that's beautiful. In part, that's because the filmmakers pay meticulous attention to ensuring the postures, skills and weapon wielding are flawless. It's an ability that few outside the Chinese movie industry have mastered.

Photos Courtesy of Well Go USA


WU ASSASSINS: In the past, 1,000 monks battled the five elemental Wu warlords (Earth, Water, Wood, Fire and Metal), beings that tried to rule China but were eventually thwarted. In the present, the Wu converge on San Francisco's Chinatown, which prompts the spirits of those monks to enter a human being named Kai (Iko Uwais) so they can lend him their powers to become the last of the Wu Assassins.

Iko's Raid films are renowned for their fierce fights, so as soon as I learned that he's the star of and fight choreographer for Wu Assassins, visions of wild action materialized in my head, with characters that possess millennia of martial mayhem in their blood. Against that backdrop, I envisioned Kai battling to prevent the Wu from disrupting the balance between heaven and earth.

Photos Courtesy of Netflix


Even though early reviews dissed the show for its dull writing, lack of humor and bland personalities, they emphasized the action and the fights. My analysis revealed that each 47-minute episode averages three minutes of combat. Most of the fights are stylized street brawls spiced up with Iko's pencak silat. Legit martial arts stars like JuJu Chan and Lewis Tan throw in a few of their personal skills. They end up looking quite similar, except that Kai's moves are faster and crisper than everyone else's.

That speed disparity is particularly obvious during the casino duel involving Uncle Six (Byron Mann) and Kai. It uses intercut shots of Christine Gavin (Katheryn Winnick) battling various thugs. In contrast, Iko's fights are four- to six-second takes that feature wide-angle, less-shaky camerawork. His character's signature skill of delivering rapid-fire punches for three seconds to show his speed and aggression is shown in a long take. Uncle Six's flame-throwing ability is cool, yet there's a disconnect because the fight always returns to simplified fisticuffs, which makes the superpowers seem pointless.

Winnick's fight, which is standard for most non-Kai action, uses dimly lit spaces, close angles, shifty camerawork, delayed panning movements and quick cuts. These serve to hide things and make it easier to insert stunt doubles.

That's in stark contrast to the scene in which Iko takes on a bevy of baddies using a formula Jackie Chan popularized in the 1980s: blocking, punching, spinning and kicking them at the same time while being shot by a roving camera.

Overall, Wu Assassins could benefit from increasing the variety of techniques and combinations that are used in its fight. It is, however, still fun to watch.

Photos Courtesy of Netflix


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Up Close: Iko Uwais

As a boy, Iko Uwais lived in awe of friends who would don black uniforms and colored belts in preparation for their martial arts classes.At age 10, he was sufficiently emboldened to begin training in silat betawi. (Betawi refers to the ethnic group that inhabited the region near Jakarta starting in the 17th century.) His instructor was his grandfather. The gym, called School of Tiga Berantai, belonged to his uncle.

Although young Iko was a promising soccer player, he was content to relinquish his cleats so he could immerse himself in the martial art. In 2005 he won first place at the National Pencak Silat Championship, where he was named best performer in a demonstration.

During the ensuing two years, he continued to refine his skills — and then crossed paths with a Welsh filmmaker named Gareth Evans. Evans traveled to Indonesia to scout schools for a documentary he was making about the indigenous art, and one of the chosen ones was School of Tiga Berantai. Turns out the camera loved Iko — so much so that Evans offered him the lead in a feature called Merantau.

When it was released in 2009, Merantau was a hit. The first major Indonesian martial arts movie in more than 15 years, it enjoyed positive reviews and won two festival awards.

In case you missed it, here's the scoop: Merantau tells the tale of Yuda (Iko), a Sumatran country bumpkin who undergoes a rite of passage that entails learning how to survive in the big city. When things go awry, Yuda swaps the "u" in his name for an "o" and transforms himself into a "silat Yoda" who's tasked with defeating the dark side of Jakarta. The plot is moving, and the action is top-notch.

For his next project, Evans wanted to craft a psychotic martial arts grunge epic called Berandal, but because of budgetary limitations, his vision veered a little. The result was 2012's The Raid: Redemption. Inspired by Die Hard, Raid follows a band of Indonesian cops who bring their form of martial mayhem to a drug kingpin's 15-story apartment complex. In that setting, Rama (Iko) uses his silat to pummel the pill pushers. It was another hit for Evans and Iko.

(Trivia note: Five months after the release of Raid, Lionsgate premiered the big-budget Dredd, starring Karl Urban. Although it used essentially the same plot and very similar shots, it flopped.)

With Iko Uwais now a bona fide star, Evans scored financing for the Berandal concept, which now bore the title The Raid 2: Berandal. In the 2014 release, Rama dispenses with all manner of lowlifes, and surprisingly the film doesn't suffer from sequel-itis. In part, that's because Iko manages to exploit his comprehensive combative skill set to create dynamic moves that crush criminals in novel ways. The icing on the cake comes from the plot and acting, which do not disappoint.

Thus was launched the career of a martial arts superstar.

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To Master the Supreme Philosophy of Enshin Karate, Look to Musashi's Book of Five Rings for Guidance!

In the martial arts, we voluntarily subject ourselves to conflict in a training environment so we can transcend conflict in the real world. After all, we wouldn't knowingly train in a style that makes us weaker or worsens our position. The irony of all this is that we don't want to fight our opponent. We prefer to work with what an opponent gives us to turn the tide in our favor, to resolve the situation effectively and efficiently.The Japanese have a word for this: sabaki. It means to work with energy efficiently. When we train with the sabaki mindset, we receive our opponent's attack, almost as a gift. Doing so requires less physical effort and frees up our mental operating system so it can determine the most efficient solution to the conflict.In this essay, I will present a brief history of sabaki, as well as break down the sabaki method using Miyamoto Musashi's five elements

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"Unlike karate training outside a combat zone," Cpt. Yoon explained, "it is important here that the troops be able to turn their techniques into devastating, bone-crushing blows. There is no place for mild strikes in combat when a VC is trying to push a bayonet into your stomach."

For that reason, the compound is peppered with makiwara punching boards, and the Korean Tigers spend much time conditioning the weapons of taekwondo. Also, throughout Vietnam there are plenty of sandbags, which are used to protect all kinds of constructions. They make excellent striking bags for a karateman.

The next unit in the schedule is to display free fighting. The commander again explains that this form of fighting is used to test the Tigers' skills against one another rather than to demonstrate the actual methods of close-quarters combat, as a fight on the battlefield is nearly always over in an instant.

The sparring matches are exhibitions of technique and control. Perhaps the only recognizable difference between these and matches held in tournaments is the consistent power the soldiers put behind their blows and their concentration on hard taekwondo techniques rather than elusive ones.

Against Weapons

At last, a final group prepares to show what happens when an unarmed Tiger meets a VC with a knife or a bayonet fixed to his AK-47 rifle. Two pairs of soldiers stride to the center of the hard-dirt arena, face the commander and render a snappy salute. Then they fall into a four-man square and await orders.

Sgt. Lee barks a command, and the best of the best explode into action. One gladiator leaps for a knife that has been thrown into the arena. He jams it, hard, at another, who violently kicks the striking hand and jumps shoulder height, scissoring the attacker's neck and tumbling him forward onto the unyielding ground with a crash. The knife spins away.

Meanwhile, another black belt catches a rifle with a fixed bayonet that is thrown to him from the sidelines. With a guttural shout, he lunges for his opponent. The defender spins to the left, brings his knee sharply inward against the weapon and rolls the attacker onto his own shoulder while tearing at his windpipe. It's over in seconds.

The couples repeat the performance again and again, smashing full tilt against each other. Every time, the attacker thrusts hard with his weapon. It's just less than miraculous that the practice doesn't turn into a blood bath.

Korean Budomen

Initiated as the Capital Infantry Division, the Tiger Division was activated on June 20, 1949, in Seoul with the mission of providing security for the capital. It was charged with additional security of the 38th parallel in Ongjin in September of the same year. When the Korean War began on June 25, 1950, the division began to prove itself in heavy fighting during battles at Ahn-kang and Kyung-joo along the defense line of the Nakdong River in the southeastern part of the country.

Following the successful Inchon landing by Gen. Douglas MacArthur's forces, the division penetrated deep into the North across the 38th parallel, overrunning enemy strongholds and advancing close to the Korea-Manchuria border. As their ability became recognized, the division was committed repeatedly and saw the armistice signed while fighting at the front in the spring of 1952. They captured more than 9,920 enemy, killed more than 91,000 and seized more than 31,000 weapons. As a result of their valor, the division was awarded five ROK Presidential Citations and a U.S. Presidential Citation, an ROK National Assembly award and 42 other plaudits.

After the armistice, the division had already been dubbed with the Tiger laurel and was deployed along the front line of the central part of the Korea DMZ. They remained under continued training and constant combat readiness.

Upon approval of the National Assembly, the division was directed to combat in the Republic of Vietnam on August 20, 1965. Three separate elements arrived at Qui Nhon on November 1 after four weeks of preliminary training. That month, it received its tactical area of responsibility, which consisted of 1,400 square kilometers in Binh Dinh Province in central Vietnam. The division's general mission objectives are to protect travel routes, military installations and facilities within its TAOR and to assist the Republic of Vietnam in its pacification plan by eliminating Viet Cong in the area and helping the people rebuild their destroyed homes.

Since 1965, the Tiger Division has stabilized security within their area to an impressive degree. The TAOR itself has expanded from 1,400 to 3,800 square kilometers. As of mid-June, the Tigers had killed more than 9,000 enemy, captured nearly 3,000 and counted 4,500 defectors, as well as seizing nearly 4,000 weapons.

All this leaves little room for doubt about whom historians will count as the true elite of Vietnam combat. In the ranks of the VC and the NVA, mention of these ferocious Koreans brings shudders to the comrades. Even as he fights those from North Vietnam and the Viet Cong, the Tigerman knows that he has full command of his body and his mind. When he's faced with hand-to-hand combat, he need not rely only on the ferocity of his rifle to equalize the score. He can hammer out punches with machine-gun rapidity or swing a full-flogging kick with sufficient force to gain the advantage. When a man is trained in karate, or to be more specific, taekwondo, he's ahead of the game and the Viet Cong, that crap-shooting armada of insurgent forces, and the crack North Vietnamese troops who come to do battle. They know full well that the Tigers with their taekwondo as well as armaments are tough to beat.

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The roots of taekwondo are in Korea, and for the ROK GIs who enter the Tiger ranks, the intensive routine of training in the martial art is strictly par for the course. No doubt every Tigerman hopes to use his martial arts training sometime in a tournament as well as he does in combat. That's the dream of every GI in the ROK division.

The Tigers, under Maj. Gen. Lew Pyong Hyon and with taekwondo's Capt. Yoon, have been making headlines throughout the world. They are the only troops, it's been said, who fight fire with fire, who use guerrilla techniques and ambush techniques in much the same manner as the Viet Cong. In a war such as this — where the boundary lines are questionable, where there is no front line and where your neighbor can turn into your enemy — such techniques are indispensable. Thanks to the hand-to-hand techniques and the combat-karate emphasis of this militia, the odds are clearly shaping up in the Tiger Division's ledger. Thanks to taekwondo, the Tigers are smashing the enemy with no holds barred and, if anyone doubts it, plenty of contact!

Read Part 1 of this article here.

text by Jack E. Swift

(This article first appeared in the November 1968 issue of Black Belt.)

Scene: A group of soldiers is gathered for a bull session. The subject under discussion is the Tiger Division of the Korean army. The soldiers are engrossed. One, a lean, tanned GI, pushes back his beret, squints into the darkness and looks out to see a mountain of burning embers.

"We were on recon operations in southern Binh Dinh Province," he explains. "One night, we caught the sounds of a skirmish. My squad leader held up his hand and when he smiled, we knew we were in for some action. As we approached the area, we were a little surprised that there was no small-arms fire, but we could hear a lot of guys yelling.

"When we got there, it was an unbelievable sight. Here were those Korean troops in close-quarters combat with what must have been superior forces, as there were [Viet Cong soldiers] all over the place. I've never seen so many broken necks and caved-in ribs in my life. We helped clean up what was left."

So goes the legend, and just in case you're casting a cynical eye as to the Tiger Division's aptitude in the use of martial arts, the record speaks for itself. If there was ever a primer on combat karate, these troops would write it. In two grueling periods daily, every troop in the Tiger Division trains in the taekwondo method, the official karate of Korea.

At one time, there were many factions, but in the past year or so, they've all been absorbed by the International Taekwon-Do Federation, with its headquarters in Seoul. In fact, with the Koreans, and even in many areas in Vietnam, taekwondo is synonymous with karate. Numerous Vietnamese do not even understand the word "karate" — but mention taekwondo and their faces light up with recognition.

Way of Life

At Qui Nhon, division headquarters, visitors are surprised to see sparkling white uniforms — and a sea of black belts — virtually in the middle of a combat zone. While on actual operations away from their base, the Tigers work out in field gear, but at the training center, everyone wears a gi and keeps it as immaculate as any other military uniform.

On the left side of the gi, each person wears the proud division emblem of a roaring tiger. On the other side, if he's an instructor, the soldier wears a black insignia of a fist with white dots above indicating how many degrees of black-belt rank he holds.

Commander of the massive taekwondo corps of the Tiger Division is Capt. Yoon Dong Ho, himself a third dan. But the rugged, intelligent captain is no armchair commander. He's on hand daily at the dirt arena, watching the troops go through their paces and often teaching a special class of officers.

Capt. Yoon is responsible for the official taekwondo training of more than 15,000 Tiger troops in Vietnam. Although popular belief holds otherwise, there are actually more than 200 black-belt holders in the Tiger ranks. Of them, three are fourth dan, 29 are third dan, 57 are second dan and 115 are first dan. There are roughly 600 red belts and 2,300 blue belts, as well as 9,000 troops holding degrees of white belt. Approximately 2,900 men recently began their training in Vietnam. Many of these, of course, already hold rank they won in Korea.

Deployment

Each element of the Tiger infantry arriving in Vietnam goes through intensive schooling at Qui Nhon. The 26th of these classes began in July, to run just over a month. The sessions lead off with classical techniques under the direct supervision of Sgt. Jun Jae Gun, head taekwondo instructor for the Meng Ho in Vietnam. Sgt. Jun, one of the division's tough trio of fourth degrees, displays a certificate signed by Gen. Choi Hong Hi, International Taekwon-Do Federation president.

When a trooper is promoted in Vietnam, however, he's awarded a military certificate of training by his supplement company commander, who acts as a representative of Lt. Col. Jai Chun Ko, division field commander. All promotions are recognized by the federation. In cases of promotion to the higher grades, however, special recognition is often meted out. For example, Sgt. Kim Duk Ki was recently awarded his third dan by Lt. Gen. Chae Myung Shin, field headquarters commander for all ROK Forces in Vietnam.

"The major objective of our formal taekwondo classes," asserted Cpt. Yoon, "is to take the minds of our troops and replace civilian thinking with military spirit and fierceness. 'Tiger' is the nickname the division has been tagged with because of the fierce nature we have demonstrated in combat. We intend to live up to it."

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Cpt. Yoon reinforced that statement with an impromptu demonstration of his own favorite techniques. Choosing a brawny trooper with a bayonet, the captain rushed him, parrying the weapon with an onslaught of power strikes with the elbow, palm, heel and fist. He ended with a forearm strike to the windpipe, which he explained is effective when one wants to silence the enemy quickly.

Key elements in hand-to-hand combat, the commander explained, are attacking the weapon directly or the hand that holds it while simultaneously attacking the most vulnerable spot within reach, then pressing the assault to keep the enemy off-balance while finishing him.

Field Testing

Stressing physical fitness in preparation for the application of these techniques, Cpt. Yoon said his troops rely heavily on powerful, smashing blows against the smaller Viet Cong and North Vietnamese Communists. He explained that the enemies are often undernourished because of their long treks from the North and therefore may fall easily under a strong attack.

"One particular situation where we encounter hand-to-hand fighting," Cpt. Yoon said, "is when the VC hide in bunkers and Tiger patrols do not have heavy weapons available to blow [the bunkers] apart. In such a case, the troops simply go in after them. The VC stand little chance against my men in close-quarters fighting."

In addition to the training of their own infantry, Tiger taekwondo instructors teach U.S. and Republic of Vietnam soldiers, as well as other Allied Forces infantry soldiers. Presently, some 1,250 Vietnamese and 150 U.S. soldiers are being taught by the Tigers at Qui Nhon alone. At other installations throughout South Vietnam, the Koreans teach their art to Allied Forces and Vietnamese civilians of both sexes and all ages.

There are scores of Korean black belts who are not members of the Tiger Division but who teach taekwondo to the local troopers and civilians. Many of these men belong to the larger White Horse Division. Especially in populated places such as the Tan Son Nhut Air Base–Saigon area, taekwondo has become as popular as baseball is to Americans. Today, self-defense is serious business to the Vietnamese, as no one knows when a VC terrorist squad will break into his home.

The Tiger Lair

Several miles away from the main training area on the Qui Nhon Air Base where the new arrivals hold classes, the Tiger instructors have their own compound, carved out of the verdant Vietnam countryside. Bordered on two sides by mountains and banked by the South China Sea, the encampment nestles into a serene and clean-smelling natural cradle, somehow out of place amidst the turmoil of war. The site has never been successfully attacked, and no one remembers the last time even a single mortar landed within the perimeter.

The perimeter itself is defined by roll upon roll of barbed wire, machine-gun posts and sandbag-reinforced bunkers. When not actually leading class, the instructors perform most of their military duties wearing their gi, often barebacked in the all-pervading heat. Somehow it doesn't seem quite right to see a fierce fighting man carting pails of water for the makeshift shower or spreading rolls of concertina wire — until you recall how budo masters of ancient times made their charges perform menial tasks before they would be accepted. Perhaps this accounts in part for their dedication and the respectful attitude the troops invariably display.

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Cpt. Yoon decides to review the instructors' training methods, so he has the select corps organize into a squadron to demonstrate their prowess. Sgt. Lee Jin Ho, whose official title is post instructor, leads the formation. They fall swiftly into ranks. The commander steps forward and receives the squadron's salute, then turns the command over to Sgt. Ho.

At a signal, the Tigers break ranks and rush into new formations with precision reminiscent of the Roman legions. The first squad is directed to show taekwondo forms. They snap through the kata in coordinated pairs, demonstrating the adroitness that can only come from military discipline. The forms are technically the same as classical Korean karate but are executed with the confident power of soldiers who have seen what their stuff can do to a man.

The next group forms behind a line of boards, bricks and tiles. Stacks of four and five bricks, up to 15 tiles and four 1-inch boards lie before them. The unit is called to attention, salutes again and assumes a ready posture. Sgt. Lee barks a command, and a dozen heads, hands and fists smash into the solid objects. Not a single one remains unbroken.

Read Part 2 here.

text by Jack E. Swift

(This article first appeared in the November 1968 issue of Black Belt.)

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