Veteran martial arts instructor Paul Vunak cuts through the fantasy that's often taught as knife defense, then teaches you what actually works.

Of all the possible topics an instructor can misinform students about, defense against a knife attack is by far the most dangerous. Anyone who claims to be an expert with a knife and teaches blocking, empty-hand disarms and low horse stances might as well be teaching students to catch bullets in their teeth.


Because very few knife-fighting tournaments take place in the United States, it is difficult for a prospective student to gauge the authenticity of an edged-weapons instructor. It seems that all an instructor needs to fool the public is a pair of camo fatigues and a photo of himself with a nasty expression on his face and his knife positioned against his opponent’s throat and — shazam! — instant Rambo.

Martial artists often underestimate the difficulty of knife disarms, Vunak says.

In my opinion, the most realistic methods for fighting with and defending against edged weapons come from the Philippines. Because real confrontations with blades are all too common in that Southeast Asian nation, their fighting techniques have nothing to do with phony heroism and everything to do with survival. This article will describe the techniques and training methods you need to know to defend yourself against a blade — and to use one.

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The infrastructure for knife fighting is footwork. It allows you to maintain the correct distance between yourself and your opponent. Having a low stance with no footwork is like having a Ferrari with no wheels. Being able to quickly maneuver toward or away from your opponent is essential in any fighting scenario — but when he is pointing a knife at you, the necessity skyrockets. 

When you think of proper footwork in boxing, you probably envision Muhammad Ali and Sugar Ray Leonard darting around the ring — light, cat-like and constantly sticking and moving. That is the type of footwork that is appropriate for knife fighting. Obviously, when you have a sharp weapon in your hand, you do not need to plant your feet to do damage to your opponent. It is far more important to stay light and agile. One slice across the knife hand or a quick thrust to the face may be all it takes to end the altercation.

Distance is key when a knife is play, Vunak says. Too close means too easy to cut.

The distance at which you choose to fight your opponent is important. Many instructors teach their students to engage in knife fighting in boxing range. But if you were to watch one round of a boxing match and count how many times each fighter gets hit, you would see that contact takes place way too often. If the boxers traded their gloves for straight razors, within 10 seconds they would be wallowing in a pool of blood.

There are hundreds of drills that involve close-quarters knife and stick work in boxing range, but they were developed to improve your attributes: sensitivity, coordination, body mechanics, etc. That’s why they are called self-perfection drills. They should not be confused with real weapons fighting for the purpose of self-preservation.

In combat, an experienced knife fighter always fights in largo mano range, which is just outside kicking range. He can more easily avoid being sliced, and he can still accomplish his primary objective, which is to cut his opponent’s knife hand.

If you cut your opponent’s hand, you will instantly disarm him. It is physically impossible for him to hold a knife when the tendons, muscles and ligaments responsible for controlling his hand are severed. Once you have defanged the snake, the snake is harmless; you then have the choice of killing it or letting it go. Correct footwork and distancing are crucial to making this strategy work.

“Defanging the snake” also applies in stick fighting. Unfortunately, in most modern tournaments you see fighters with protective gear obsessively engaged in head-hunting. Although those bouts do teach students how to deal with adrenaline and are a worthwhile experience, that type of practice should constitute about 5 percent of your training. It should not be your focus because the rules seldom award points for smashing the opponent’s hand, and that is unrealistic for self-defense. If a fighter were to defang the snake by striking his opponent’s unprotected hand with a piece of hardwood or a pipe, those neglected hand smashes would have the same effect as a hand cut.

Vunak (left) demonstrates "defanging the snake."

In a knife fight, timing is as important as footwork and distancing, but it is more ambiguous and difficult to explain. Timing can be described as the ability to hit your opponent before, during or after he takes a shot at you. You must feel that split-second opening for your technique. Once you develop an expert sense of timing, you can literally move at one-tenth speed and still connect. In sparring matches, Filipino martial artists in their 70s have struck me 10 times more often than I struck them because they possessed near-perfect timing.

To develop timing, you need awareness and line familiarization (knowledge of all possible angles of attack), both of which tend to improve with age and experience. After sparring briefly with Cacoy Cañete, who at age 65 was still able to basically use my body for target practice, I asked him at what age he was in his prime. He replied, “In about another 10 or 15 years.”

As with most things in life, perception is everything. If you perceive the points mentioned above as the most important parts of knife fighting, you are concentrating on the finger and missing all the heavenly glory — to paraphrase Bruce Lee

So what should you do if you are attacked by someone with a knife? First, you should run. It has been said that to defend against a blade, you must first learn how to fight with one; and the more you learn about fighting with one, the more you will respect the damage that it can inflict. All a blade has to do is make contact with you. The attacker does not even have to be particularly skilled to seriously hurt you. Instructors who would have you disarm a razor-wielding attacker are living in a fantasy land. They do not understand the grim reality of knife fighting because they haven’t experienced it. However fun or romantic it may be to picture yourself snatching a knife from a mugger’s hand, the decision to try could be the last decision you ever make.

A simple test will demonstrate why: Buy a red magic marker, go to a confined area and have a training partner “assault” you at full speed with the marker acting as a live blade. No matter which blocking or disarming techniques you try, you will soon discover red lines all over your body. 

Obviously, the best option when facing a knife is to run. If you cannot get away, you need to find an equalizer. If you carry a knife, pull it out. Or pick up a bottle or an object to throw: a pool ball, chair, table, pool cue, hot soup, etc. Use anything necessary to distract him so you can escape.

If there is nowhere to run and no equalizer available, you will have to rely on your empty-hand skills. I would probably attempt a well-timed low double-leg takedown, then smother the attacker and use techniques from kina mutai, the Filipino art of biting and eye gouging. Still, I would most likely get cut, perhaps even fatally. That’s all the more reason to fall back on plan one and run away.

About the author: A renowned jeet kune do and Filipino martial arts instructor, Paul Vunak is the president of Progressive Fighting Systems.

Photos by Cory Sorensen

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Do you want to maximize your self defense skills? Learn the game of combat chess and most importantly the queen of all moves.

Allow me to intercept those who would object to the title of this article. I'm not claiming that there's a secret move, shortcut or hack that will give you the edge in any fight. Even if there was an ultimate weapon or strategy, you likely would avoid it because you
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Many different types of "blocks" are taught in most martial arts school. We are taught high blocks, low blocks, middle blocks, knife hand blocks, etc. Some schools will also teach how to use the legs to block an attack, as well.

The purpose of this writing is to possibly open some minds to the possibilities of going outside the box and considering alternatives to the basics.

Blocking is taught as a way of protecting oneself from harm. Truly, we don't "block" anything, as a non-martial artist would think of it. What we call "blocking" is more of a redirection of an opponent's attack, or even a counterstrike against the opponent's attacking limb.

To block something would mean to put something, like your arm, leg or other body part directly in front of the attack. That would certainly hurt and possibly cause some damage. The goal should be to move the attack out of the way in order to prevent injury and provide a way to fight back. For example, many schools teach blocks as a limb moving toward the strike such as a circular high block.

The movement required for a block might have other uses, if you keep an open mind. The blocking techniques can also be used as attack techniques. For example, your "low block" may be used as a striking technique against the outer thigh of the attacker. Your high block might be used as a strike to the jaw. The set up for a block can be used as a deflection, as well as the actual block.

Doing a block or a series of blocks will most likely not end an attack. A block needs to be followed by a counterattack. While the block is usually taught as a separate technique in order to learn it correctly, it should also be used in combination with a counter.

The more you know, the more you realize how much you don't know. Intensive books can and have be written about basic techniques. With this writing, I am hoping to create interest in exploring the additional possibilities for what we have been taught and what we teach others.

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GM Stevens has been training in taekwondo for 47 years under the tutelage of the late legendary Grand Master Richard Chun. He holds an 8th degree black belt and is certified in the USA and in Korea. Grand Master Stevens is a member of the Board of Directors of the prestigious Richard Chun TaeKwonDo World Headquarters organization. He has been very active in his community and has been a volunteer with the Glen Rock Volunteer Ambulance Corps for over 11 years. He is a certified member of C.E.R.T. (Community Emergency Response Team).

Gary Stevens Taekwondo is located at 175 Rock Road in Glen Rock, New Jersey.

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Having partners at or above your skill level is important for improving in your martial arts training. At some point, however, you will probably find yourself with a shortage of skilled partners, especially if you are an instructor.

This can happen for any number of reasons: students can move away, change their work schedules, start a family, etc., and just like that, you find that you're the highest-ranked student, or sole instructor, in your gym or dojo. This doesn't have to be a bad thing. In fact, if you take advantage of it, even working exclusively with lower-ranking classmates or students can improve your skills.

I used to host a twice-a-week training session at my dojo where I invited mostly black belts from other schools (as well as a few of my advanced students) to come and run drills. It was a blast. These were tough two- to three-hour sessions where I got to work with fighters of all different sizes, speeds, and technique preferences. My sparring improved dramatically over the next few months, and I don't think I've ever been in better shape. But unfortunately, it doesn't always work out that way. And as the old saying goes, "You gotta work with what ya got." So, make it hard on yourself.

I like to set handicaps when fighting my students. Specifically, I focus on forcing myself to work on improving my weak areas. Is you right leg weaker than the left? Then only kick with the right leg when sparring your students. Not much of an inside fighter? Don't kick at all. Training with partners of lesser skill not only helps you improve your weak points but gives them an opportunity to improve as well by working on strategy. It's also great for building their confidence. It can also be a low-cost opportunity to test new techniques and combinations, which benefits you as well.

In grappling, just like sparring, there is little benefit to wrapping lower ranking classmates into pretzels over and over, for them or you. Instead, let your partner put you in a bad situation. Let them get the mount; help them sink in that choke or armbar. If you start standing, such as in judo, allow your partner to get the superior grip before attempting a throw. This way you will get comfortable working out of a weaker position and your less-experienced partner can perfect their technique (and get experience using multiple techniques, if you get out of their first one).

You might think that giving advantages like these to students who may be far beneath your skill level is much of a challenge. Trust me, you'll reconsider that sentiment when you wind up sparring a 6'5" novice with zero control over his strength after deciding to only use your weak leg, or have a 250-pound green belt lying across your diaphragm trying to get an armlock after you let them get the pin. Remember, this is exactly what you signed up for: a challenge.

If you find yourself at the top of the heap without partners who are sufficiently challenging, there is no need to despair. Use it as a low-stress opportunity to improve your weaknesses and develop avenues to help your less experienced classmates and students to grow. You may even be surprised. One day they might present more of a challenge than you ever imagined!
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