Combatives expert Kelly McCann is a former U.S. Marine special-missions officer responsible for counterterrorism and counter-narcotics. Kelly McCann now serves as president of Crucible, a firm that organizes protective details in all sorts of high-risk environments, provides security support services and trains military, government and law-enforcement operators to do whatever it takes to survive and complete their mission. Kelly McCann's also served as a subject-matter expert in close-quarters combat, high-risk protective services, high-risk-environment force protection tactics, and terrorist techniques and procedures. A former military and security analyst for CNN and MSNBC, Kelly McCann can now be seen on Fox News.
Dr. Craig's Martial Arts Movie Lounge
When The Fast and the Furious (2001) sped into the psyche's of illegal street racing enthusiasts, with a penchant for danger and the psychotic insanity of arrant automotive adventure, the brusque bearish, quasi-hero rebel, Dominic "Dom" Toretto was caustic yet salvationally portrayed with the power of a train using a Vin Diesel engine.
Justin Lin's climb up the Fast & Furious ladder matches the film titles, fast and furious. He's the only director to shoot five sequels (3, 4, 5, 6, 9) with F10 on the way. The resulting action composition in F9: The Last Saga (F9) has been brewing since his intro to Bruce Lee and Lin's early subliminal and now obvious influences from Jackie Chan.
When I first discussed Bruce Lee with the Taiwanese-born, Los Angeles-raised Lin in 1997, he shared, "Whether Asian Americans like it or not, they all have a relationship with Bruce. When I was 10, I was deeply disturbed watching Bruce's Game of Death (1979). There was a guy who vaguely looked like Lee interspersed with shots of the real Lee, right down to a photo of Lee pasted onto a mirror to make us believe the guy in front of the mirror was Bruce. Yet when I first saw Bruce Lee on screen, I felt his power, he gave me the strength to strive for something. After learning about the film's freaky news, I thought, how in the hell did the double get that job?"
Lin addressed this question in his first martial arts film, Finishing the Game (2007). Co-starring Sung Kang, Lin also hired fight choreographer Don Thai, who at the time was a close associate and one of Jackie Chan's protégés.
Years earlier, Jackie Chan's Opera brother Corey Yuen directed Jason Statham's breakout martial arts film Transporter(2002). Around the same time, Jackie Chan's stunt double/fight choreographer, Andy Cheng, was priming Dwayne Johnson in Chan's style of action too as the fight coordinator on Johnson's first martial arts film Rundown (2003).
The Fast & Furious films began as street drag-racing movies, perhaps influenced by the demented driving antics of Steve McQueen in real life and in his movie Getaway (1972). Yet with the addition of Dwayne Johnson as CIA agent Luke Hobbs in Fast Five (2011), whose job was to track down and capture Dom, the franchise morphed into a car-llection of visceral flicks filled with over-the-top, outrageous, literal high-octane car stunts.
Then just as you think there's no more juice in the engines, apart from flashing red buttons connected to newfangled fuel-injection systems, which are attached to nitrous oxide canisters capable of giving short bursts of Star Wars light speed, Furious 7 (2015) arrived. F7 upped the martial arts ante by casting legitimate martial artist Jason Statham as the rogue assassin Deckard Shaw who ran pugilistic mayhem around Dom and Hobbs.
Yet with F9, Lin translated Lee's power into his action sequences and saw how Chan's fights used the tangible qualities of space and how Chan continually transforms it from the confines of small rooms, alleys or a high-rise's narrow ledge to the vastness of a castle, mountaintop, or rooftops of big towering buildings. Like Chan, Lin achieves these transformations via extended chase sequences where each unpredictable redefinition of space adds to the scene's momentum by creating a giddy farce. As his characters move through new environments, they confront new circumstances and possibilities.
With F9, Lin goes beyond these confines. Dom learns that his long-lost renegade brother Jacob (John Cena) has become a deadly assassin who's in cahoots with Dom's mortal enemy Cipher from The Fate and the Furious (2017) and her new psychotic partner Otto. Their aim is to find two halves of a top-secret gadget that can control the world's security network. It's time for Dom and his speedster band of brothers/sisters to unite to save the world from this terminally ruthless trio while dealing with family secrets.
In 1999, Diesel told about his bouncer and boxing background in New York, and his love for the 1970's Shaw Brother kung fu films adding with a bellowing calm voice, "It would've been cool to be in one of those movies, the weapons, the wires, the fights."
By a strange twist of fate, Diesel is doing a kung fu film that's as close to being a 1970s, Shaw Brothers wuxia movie than he could ever have imagined. His weapon of choice isn't fists, knives or kung fu, but a 1968 Dodge Charger with car fufight choreography.
Dom can maneuver his cars to block, deflect and parry oncoming forces of sideswiping and head on attacks from other autos, armored vehicles, giant transporter trucks and even a flying wing. His car fu has skills that can catch and intercept flying members of his team out of mid-air death plummets that are more radical than a square route.
The wire-fu car fu is as outrageous as it sounds. In one moment Dom can be speeding along then he pulls of this dodgy move that's akin to maniacal spider falling from a ceiling toward your unsuspecting head on the end of a single strand of silk thread.
Stunt coordinator J.J. Perry who was into Hong Kong stylized action since his beginnings, choreographed a handful of unique fights that are well worth the watch and there are two particular fights that take into account the yin and yang balance of combat.
One is Dom's rough and tumble, smash and crash brawl as he becomes a human muscle car in a wide-open underground warehouse where he takes on droves of heavily armed punch and crunch security forces. The opposing energy is a powerful light focusing on the F9's fighting women, Letty, Mia and newcomer Elle taking on a team of marauding mercenaries within the tight confines of a small Tokyo apartment. It's a close quarters, tag-team action fray using medium shots, where each lady does 2-6 techniques per take.
In Chinese numerology, nine represents longevity and so it's no wonder that F9 will continue the franchise's staying power where breaking the speed limit is a way of life.
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Host country Japan continued to run roughshod over judo at the Olympics Thursday winning both golds on day 6 of competition in Tokyo. Shori Hamada's match in the women's 78 kg division was over almost before it began as her French opponent, Madeleine Malonga, missed on an inside trip attempt just 10 seconds into the contest allowing the ground specialist, Hamada, to take it to the mat. Hamada worked her way free of Malonga's legs and into a hold down position for an easy pin to take the gold medal.
In the men's 100 kg category, Japan's Aaron Wolf waited until overtime against South Korea's Cho Gu-ham before going for his own ouchi gari, inside trip. Unlike Malonga though, Wolf, whose father is American and mother Japanese, landed his perfectly putting Cho flat on his back for an ippon, full point, to take the finals. Japan has now tied their own record for most gold medals (8) in a single Olympic judo competition with three events still to go.
his is the most important thing to consider. The culture of the school flows from the teacher both by their example and conduct. What are they like? Are they similar to John Kreese or Mr. Miyagi? Somewhere in between? Both styles can be effective, but you will need to determine which one is best for your child.
Is the class fun? Although it's a fine line between entertainment and engagement, for children, I believe a teacher should have high energy and a positive attitude. You have to ask yourself, "Is my child going to learn here?" Of course, if they can try the class, that is a great way to tell
Most of the time when we think of safety, we think of the risk of injury. However, if the pandemic taught us anything, it was that keeping things clean keeps disease from spreading. Is the school clean? Once, I had a parent sign up their child and tell me, "This is the first place that didn't stink."
What kind of supervision do they have? Is the class small enough for one teacher to manage, or is it so large they need an extra hand? Keeping that in mind, parents must remember that martial arts are a combat sport. There are going to be bumps and, bruises. The thing to look out for is a culture of recklessness or lack of supervision.
The behavior of the students and teachers, and the conduct of the classes will tell a lot about the kind of culture the school is fostering. Is there a pleasant, happy, constructive vibe that you can feel? Or is it a heavy atmosphere that puts you off? What was your first impression when you walked in the door? First impressions tell a lot. Although anyone can have a bad day, for the most part, it should be a positive experience.
Trying to tick all the boxes and cover all the bases will not guarantee that things won't change later, but it is a good way to make the best choice you can in the beginning.
There is no season for martial arts and no age limit. Instilling martial arts in a young person can be the beginning of a lifetime of healthy activity, learning, and peace of mind. Plus, it's a lot of fun. Oh, and all the great benefits for kids are great for adults too, so check out a class yourself. It's never too late to start.