Jean-Claude Van Damme, star of the original 1989 Kickboxer, returns for the upcoming reboot of the classic martial arts movie. Learn whom he's replacing, who else is on board and more!

As many know by now, the 1989 martial arts movieKickboxer— the film that helped launch the career of Jean-Claude Van Damme— is getting the reboot treatment courtesy of Radar Films. Producer Ted Field from Radar Films announced this week, however, that Jean-Claude Van Damme himself (often referred to by fans as simply JCVD) has joined theKickboxercast, taking over the role of Master Chow. JCVD replaces none other than popular martial arts movie starTony Jaa(Ong-Bak, The Protector). The 3-D reboot ofKickboxer— starring Alain Moussi, Dave Bautista, andGeorges St-Pierre(and also now JCVD) — recently started production in New Orleans, Louisiana and Thailand. "We are so excited to haveKickboxerroll into production and to have JCVD in the role of Master Chow, passing the torch to Alain [leading] the franchise to a new generation," said Field regarding the addition of JCVD to the cast. "Audiences better get ready for this incredible reboot. The action is going to be non-stop with never-before-seen stunts. Simply put,Kickboxerwill kick ass!"


Explore the life and times of Bill Wallace in this FREE download! Bill "Superfoot" Wallace: How He Became the World's Greatest Kicker for 50 Years!

A plethora of martial arts reportedly will be represented in the movie.

Alain Moussi is a practitioner of karate, kickboxing, aikido, goshindo, kobudo, Filipino martial arts, sambo and judo. In addition to wrestling, Dave Bautista has trained kali, muay Thai and Brazilian jiu-jitsu. Scott Adkins has been schooled in taekwondo, kickboxing and judo. And, of course, Black Belt Hall of Fame member Georges St-Pierre has done kyokushin, Brazilian jiu-jitsu, muay Thai, boxing and wrestling.

For those who are unfamiliar with the plot of the 1989 JCVD vehicle: California-based Eric and Kurt Sloane are accomplished martial artists. When Eric wins a karate championship, a promoter lures him to Hong Kong despite his brother's protests that the man is a crook. Kurt (played by JCVD in the original film) receives a letter from Eric and heads to Thailand to meet him. When JCVD's character arrives, he discovers his brother is dead, and the man responsible is Tong Po. Kurt turns to his brother's mentor to learn the secrets of kickboxing so he can exact revenge.

Check out this trailer from the 1989 Kickboxer to refresh your memory and see classic JCVD martial arts moves:

"[The reboot of] Kickboxer will display a style of acrobatic, rapid-fire martial arts action that Scott Adkins is increasingly becoming synonymous with," said Brian O'Shea, CEO of The Exchange, an international sales and finance company and one of the movie's executive producers. "[The movie] has compiled a talented cast to push the boundaries of the martial arts."

Alain Moussi will portray Kurt Sloane, the martial artist JCVD played in the first film. Born in Libreville, Gabon, Africa, Alain Moussi is a Canada-based actor and martial artist who holds several black belts. The 33-year-old has worked in numerous movies, including X-Men: Days of Future Past, Pacific Rim and White House Down.

The evil Tong Po will be played by Dave Bautista, a former pro wrestler with the WWE who was featured in Guardians of the Galaxy.

The director for the Kickboxer reboot starring Alain Moussi, JCVD, Scott Adkins, Dave Baustista and Georges St-Pierre will be Stephen Fung, who helmed Tai Chi Zero and Tai Chi Hero, among other titles.

Related Martial Arts Books, E-Books, DVDs and Video Downloads

Practical Kicking Techniques

SUBSCRIBE TO BLACKBELT MAGAZINE TODAY!
Don't miss a single issue of the world largest magazine of martial arts.

Do you want to maximize your self defense skills? Learn the game of combat chess and most importantly the queen of all moves.

Allow me to intercept those who would object to the title of this article. I'm not claiming that there's a secret move, shortcut or hack that will give you the edge in any fight. Even if there was an ultimate weapon or strategy, you likely would avoid it because you
Keep Reading Show less

Looking to buy some weights to gain some strength?

Looking at Dumbbell, Kettlebells or Weighted bar? How about an all in one that won't just save you some good amount of money but also space? Look no further, we bring you the GRIPBELL!

Let's face it, when we do want to work on some strength building, we don't want to go around shopping for 20 different weight equipment things. That would just not want us to even do any sort of strength training. But what if we only needed a few, a few that can do the things we want without having 20 things lay around? That's where the GRIPBELL comes in. Let me clarify with you first, these are not some heavy duty, muscle exploding weights, they are for building the level of strength we as martial artists want without going crazy and insane in bulk sizing!

Keep Reading Show less

Many different types of "blocks" are taught in most martial arts school. We are taught high blocks, low blocks, middle blocks, knife hand blocks, etc. Some schools will also teach how to use the legs to block an attack, as well.

The purpose of this writing is to possibly open some minds to the possibilities of going outside the box and considering alternatives to the basics.

Blocking is taught as a way of protecting oneself from harm. Truly, we don't "block" anything, as a non-martial artist would think of it. What we call "blocking" is more of a redirection of an opponent's attack, or even a counterstrike against the opponent's attacking limb.

To block something would mean to put something, like your arm, leg or other body part directly in front of the attack. That would certainly hurt and possibly cause some damage. The goal should be to move the attack out of the way in order to prevent injury and provide a way to fight back. For example, many schools teach blocks as a limb moving toward the strike such as a circular high block.

The movement required for a block might have other uses, if you keep an open mind. The blocking techniques can also be used as attack techniques. For example, your "low block" may be used as a striking technique against the outer thigh of the attacker. Your high block might be used as a strike to the jaw. The set up for a block can be used as a deflection, as well as the actual block.

Doing a block or a series of blocks will most likely not end an attack. A block needs to be followed by a counterattack. While the block is usually taught as a separate technique in order to learn it correctly, it should also be used in combination with a counter.

The more you know, the more you realize how much you don't know. Intensive books can and have be written about basic techniques. With this writing, I am hoping to create interest in exploring the additional possibilities for what we have been taught and what we teach others.

About Grand Master Stevens

GM Stevens has been training in taekwondo for 47 years under the tutelage of the late legendary Grand Master Richard Chun. He holds an 8th degree black belt and is certified in the USA and in Korea. Grand Master Stevens is a member of the Board of Directors of the prestigious Richard Chun TaeKwonDo World Headquarters organization. He has been very active in his community and has been a volunteer with the Glen Rock Volunteer Ambulance Corps for over 11 years. He is a certified member of C.E.R.T. (Community Emergency Response Team).

Gary Stevens Taekwondo is located at 175 Rock Road in Glen Rock, New Jersey.

For more information: call (201) 670-7263, email: StevensTKD@aol.com or go to www.StevensTaeKwonDo.com

Having partners at or above your skill level is important for improving in your martial arts training. At some point, however, you will probably find yourself with a shortage of skilled partners, especially if you are an instructor.

This can happen for any number of reasons: students can move away, change their work schedules, start a family, etc., and just like that, you find that you're the highest-ranked student, or sole instructor, in your gym or dojo. This doesn't have to be a bad thing. In fact, if you take advantage of it, even working exclusively with lower-ranking classmates or students can improve your skills.

I used to host a twice-a-week training session at my dojo where I invited mostly black belts from other schools (as well as a few of my advanced students) to come and run drills. It was a blast. These were tough two- to three-hour sessions where I got to work with fighters of all different sizes, speeds, and technique preferences. My sparring improved dramatically over the next few months, and I don't think I've ever been in better shape. But unfortunately, it doesn't always work out that way. And as the old saying goes, "You gotta work with what ya got." So, make it hard on yourself.

I like to set handicaps when fighting my students. Specifically, I focus on forcing myself to work on improving my weak areas. Is you right leg weaker than the left? Then only kick with the right leg when sparring your students. Not much of an inside fighter? Don't kick at all. Training with partners of lesser skill not only helps you improve your weak points but gives them an opportunity to improve as well by working on strategy. It's also great for building their confidence. It can also be a low-cost opportunity to test new techniques and combinations, which benefits you as well.

In grappling, just like sparring, there is little benefit to wrapping lower ranking classmates into pretzels over and over, for them or you. Instead, let your partner put you in a bad situation. Let them get the mount; help them sink in that choke or armbar. If you start standing, such as in judo, allow your partner to get the superior grip before attempting a throw. This way you will get comfortable working out of a weaker position and your less-experienced partner can perfect their technique (and get experience using multiple techniques, if you get out of their first one).

You might think that giving advantages like these to students who may be far beneath your skill level is much of a challenge. Trust me, you'll reconsider that sentiment when you wind up sparring a 6'5" novice with zero control over his strength after deciding to only use your weak leg, or have a 250-pound green belt lying across your diaphragm trying to get an armlock after you let them get the pin. Remember, this is exactly what you signed up for: a challenge.

If you find yourself at the top of the heap without partners who are sufficiently challenging, there is no need to despair. Use it as a low-stress opportunity to improve your weaknesses and develop avenues to help your less experienced classmates and students to grow. You may even be surprised. One day they might present more of a challenge than you ever imagined!
Don’t miss a thing Subscribe to Our Newsletter