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Black Belt Team

Ed Parker: The Father of American Kenpo

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Black-and-white image of a man in a suit with text: "Ed Parker, The Father of American Kenpo." Background is marbled; mood is serious.
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Bruce Lee, Chuck Norris, Elvis, Steve McQueen, and thousands of other martial artist around the world can credit much of their growth in martial arts to one man with an eye for innovation, Ed Parker.


Hailed as the "Father of American Kenpo," Parker was a groundbreaking martial artist whose influence extended far beyond the dojo. A visionary teacher, tournament pioneer, and innovator, he brought martial arts into the mainstream, shaping the way it is practiced and perceived today.


From training celebrities like Elvis Presley and Peter Sellers, to founding the legendary Long Beach International Karate Championships which launched icons like Bruce Lee and Chuck Norris, Parker was at the forefront of martial arts’ rise to global prominence and we are all better because of him.


As we near the anniversary of his passing, we celebrate the man and the legend.

Martial artist Ed Parker demonstrates a technique on a person in a black gi. Text: "BLACK BELT," "August 2001," and article titles.


Through his creation and refinement of American Kenpo—a system rooted in adaptability, practicality, and philosophy—he laid the foundation for a lasting legacy. Ed Parker's name is synonymous with innovation, bridging traditional martial arts with modern self-defense and popular culture.


Teacher to Celebrities: Bridging Martial Arts and Hollywood

Ed Parker’s journey began in Hawaii, where he was introduced to Kenpo Karate. After moving to the mainland, he established his first dojo in Pasadena, California, in 1956. There, Parker quickly gained a reputation not just for his skill, but for his charisma and ability to adapt Kenpo for modern self-defense.


Ed Parker's Karate Studio with a prominent orange and white sign, wooden entrance steps, and a clear blue sky in the background.
Early years of the Ed Parker dojo

Training Elvis

Perhaps Parker’s most famous student was Elvis Presley, the King of Rock ‘n’ Roll. Elvis, a lifelong martial arts enthusiast, became Parker’s student in the 1960s. The two shared a deep mutual respect, and Elvis even received a black belt under Parker’s tutelage.



Beyond the dojo, Parker’s influence helped Elvis incorporate martial arts-inspired moves into his stage performances, showcasing martial arts to millions of fans worldwide.


Elvis Presley and Ed Parker
Elvis Presley and Ed Parker

The Birth of Martial Arts in Film

Parker’s involvement with celebrities and film personalities helped martial arts find a natural place in action cinema. By the late 1960s, martial arts scenes were becoming a staple in Hollywood, and Parker’s early work contributed to this trend.


Four people in martial arts uniforms laugh while playfully practicing holds in a dojo. Trophies and posters are visible in the background.
Ed Parker's early appearance on The Lucy Show in 1963

Peter Sellers, the celebrated comedic actor, trained under Parker. Sellers, known for roles like Inspector Clouseau in The Pink Panther, learned martial arts for physical comedy and discipline. Through his celebrity students, Parker subtly introduced martial arts into the cultural lexicon of Hollywood, paving the way for the genre’s explosion on the silver screen.


A man with gray hair in a black suit stands confidently in front of frosted glass doors, exuding a serious demeanor.
Ed Parker in Revenge of the Pink Panther (1978)

Pioneer of Modern Tournaments: The Long Beach Internationals

In 1964, Parker organized the inaugural Long Beach International Karate Championships, a tournament that would forever change the martial arts world. Unlike traditional competitions, Parker’s event emphasized inclusivity, innovation, and spectacle.


Chuck Norris and Mike Stone also made their names at Parker’s tournaments. The exposure these events provided helped martial artists transition into acting and stunt work, blending martial arts with popular culture.


Two martial artists in uniforms stand with a woman in a gown, holding a trophy. Black and white setting, celebratory mood.
Before we knew him as an international superstar, Chuck Norris was an international champion. Circa late 1960s.

The Internationals became the launchpad for some of the most iconic figures in martial arts history. Bruce Lee’s electrifying demonstration of his “one-inch punch” at the 1964 Internationals is now the stuff of legend. It was here that Lee caught the attention of Hollywood producers, ultimately leading to his groundbreaking roles in The Green Hornet and later, his iconic films.


Two martial artists in a crowded arena. One in black demonstrates a punch towards the other in white, who is near a chair. Dynamic mood.
The punch heard around the world—Bruce Lee showcasing the one inch punch. Circa 1964.

Mike Stone: Black Belt Hall of Fame and Champion of the First Long Beach Internationals (held in 1964)
"Mr. Ed Parker had a profound and lasting impact on me and my career and the martial arts. Mr. Parker was highly intelligent and had a keen sense of who he was. His dedication and vision of the martial art were far-reaching. He was one of the leading forces and top pioneers of that era.
Mr. Parker invited me to teach at his Kempo Headquarters in Pasadena, Calif. I lived at his home for 6 months and was honored to be a part of his Ohana (family). He allowed me to teach tournament fighting strategy and techniques in his noon and one-o'clock classes. One of the students was a young brown belt named Danny Inosanto. I saw Danny's incredible potential and passion for learning and sharing knowledge.
It is difficult to express in words and context the volume and true impact of Mr. Parker's contributions to the martial arts. We all miss his leadership, energy, and charisma."

Five men pose indoors against a curtained backdrop. Three wear dark suits, one wears dark casualwear, and the other a white suit. Mood is calm.
Mike Stone, winner of the first 1964 Long Beach Internationals, parlayed his championship fame to earn the respect of fellow martial artist Bruce Lee, as seen here on the set of The Wrecking Crew in 1968 with Ed Parker, Joe Lewis, and Dean Martin.

Jeff Smith: PKA World Champion
"I first met GM Ed Parker when | was competing at his Long Beach International Karate Championships. I was a blue belt and got to see Bruce Lee, Chuck Norris, Joe Lewis, Allen Steen and Mike Stone. I got to meet GM Parker many times later when I became a black belt while competing at all the National Tournaments where he was always one of the Judges.
I always held him in such high esteem and respect as one of the Greatest Pioneer Legends of Karate in the World."

Two martial artists in white uniforms engage in a match. One kicks the other under bright lighting, with a focused crowd in the background.
Jeff Smith. Circa 1974

Revolutionizing the Tournament Scene

Parker’s tournaments were more than competitions; they were showcases of martial arts as a performance art. His events incorporated music, choreography, and mixed styles, making them exciting for both participants and spectators.


The Internationals launched the careers of many martial artists, propelling them to global superstardom from a single performance, including Benny Urquidez, Chong Lee, Jim Kelly, and Steve Sanders Muhammad.


Two martial artists in white gis spar energetically in a crowded arena, with intense focus. Black belts are visible, capturing action mid-kick.
Benny Urquidez and John Natividad’s epic battle at the Long Beach Internationals, with Tadashi Yamashita serving as referee. Circa mid-1970s.

KC Jones: President BKF
"Ed Parker was responsible for the training of two of the Kenpo instructors. Dr. Ron Chapél and Steve Sanders (now 'Muhammad') by supporting them in shaping their skills and philosophies of the martial arts. Mr. Parker provided the training necessary to empower the BKF warriors to be successful and dominant on the tournament circuit."

Two martial artists spar on a platform as a referee and another person look on. The arena is filled with an attentive audience.
Steve Muhammad facing Joe Lewis in the Long Beach Internationals. Circa early 1970s.

Legacy as a Pioneer of Martial Arts: The Art of Kenpo

Ed Parker’s greatest legacy lies in American Kenpo, a system he modernized and tailored for practical self-defense. Unlike traditional martial arts, which often emphasized rigid forms, Parker’s Kenpo was fluid, adaptable, and grounded in real-world application.


Magazine cover features a man in a martial arts pose wearing a black gi, with text highlighting Ed Parker and martial arts themes on a brown background.
1975 Issue of Black Belt Magazine, his first of many covers for the publication.

Parker's art form was celebrated beyond the Kenpo community as he was respected and adored by champions of multiple styles.


Kenpo’s Unique Philosophy

Kenpo, under Parker’s leadership, combined traditional Eastern techniques with Western concepts like boxing and street fighting. Parker emphasized principles such as economy of motion, speed, and accuracy. His teachings were codified in books like Infinite Insights into Kenpo, a multi-volume series that remains a seminal text in martial arts literature.


A man in martial arts attire striking a pose on the "Black Belt" magazine cover. Bold text features "Ed Parker Memorial Section."
From the April 1991 memorial issue of Black Belt Magazine

A Global Martial Arts Movement

Today, American Kenpo schools can be found worldwide, a testament to Parker’s influence. His students, many of whom became masters in their own right, continue to teach and spread his philosophy.


A group of people in martial arts gis pose together, smiling. Some wear black gis, one in white. They stand in a spacious indoor setting.
Ed Parker surrounded by beloved super students including Larry Tatum (pictured to his left), Jeff Speakman (sitting) John Sepulveda (back row).

A Legacy that Endures

Ed Parker’s influence on martial arts cannot be overstated. From training Hollywood’s elite to revolutionizing tournaments and creating a martial arts system that endures to this day, Parker’s legacy is one of innovation and passion. His work bridged the gap between martial arts and popular culture, ensuring that his contributions will continue to inspire future generations.



John Sepulveda: Black Belt Hall of Fame 2024
"I had many conversations with Mr. Parker on the making and development of the self defense techniques. He wanted it understood that they were just thoughts to help us understand movement in a logical sequential nature. He perpetuated having us make them our own. From this I coined the phrase 'I will teach you a way and never say it’s the way. The way is what works in the street'."

Two men on stage in suits with one holding a boxed award, smiling at a large, seated audience in a dimly lit room with warm lighting.
John Sepulveda, pictured here with Jack Autry, earned his way into the Black Belt Hall of Fame as one of only a handful of Ed Parker Black Belt who carry on the tradition to the next generation


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