In Malaysia, they say a man is not really capable of defending himself against an attacker unless he knows something about bersilat. Its self-defense techniques date back to the early 15th century and today is still popular. The art enjoys such popularity that it can be practiced by anyone whether he’s 8 or 60 years old. When bersilat was first introduced to the Malacca Court by a religious teacher from North Sumatra, Indonesia, it became a necessary part of a young man’s education. There have been considerable changes made in the original style, and through the years, it was practiced in secret with complicated rituals and customs. In Malaysia, bersilat attracts many men to its evening classes. Particularly youths living in villages and suburban areas indulge in learning its self-defense techniques. They are taught the fine points of parrying or avoiding an attack by an opponent who may be armed with a kris (Malay knife) or pedang or parang panjang (Malay sword). Young folks nowadays take up bersilat as an artistic form of physical exercise, and they often demonstrate the art at ceremonials. Instructors emphasize the of its self-defense techniques.
The Bersilat BreakdownBasically, bersilat exists in two forms. One, the silat pulot, is purely for exhibition at weddings and other ceremonials. The other is known as silat buah and is used for serious fighting. One can tell by the opening graceful movements the type of bersilat the performer has mastered. With a leap, he will begin moving to the rhythmic strains of an orchestra, demonstrating the techniques of defense against one or several assailants. The movements consist of quick parries and counter-strokes with the arms, well-timed steps and swift kicks.
Take your traditional weapons training to the next level with our FREE self-defense guide—Ninja Gear: Master Modern Self-Defense Weapons With Ninjutsu TrainingThere are many versions of bersilat. The most common are the bersilat gayong and bersilat harimau. To a lesser or greater extent, most of the movements involve a spiritual aspect, with the performer uttering religious incantations and blessings. This, say its devotees, helps bring out supernatural strength and provide the body with protection. All of the training and exercises in use today have been handed down from the original bersilat masters and are passed on by the loyal disciples from generation to generation. Malaysians like to speak of its early beginnings. They tell of the legendary hero Hang Tuah of Malacca, who lived in the 15th century and is considered the father of bersilat in Malaysia.
Bersilat’s OriginsWith his friends, Hang Tuah traveled great distances in his day to learn bersilat, and his glorious exploits are vividly described in many Malay classics. With four of his friends, Hang Tuah made long and difficult journeys to reach Mount Rundok to meet mahaguru (grandmaster) Adi Putera to learn bersilat’s techniques. After long training and plenty of strenuous exercises, Hang Tuah continued his studies at Majapahit in the Mount Winara area with mahaguru Persanta Nala as his instructor. The knowledge he acquired through vigorous bersilat training taught him how to face an enemy and this he passed on to his followers. Many later proved to be loyal warriors to the State. The movements involved in bersilat when used for defense or on the attack can be summed up as follows:
- salutation movement (gerak langkah sembah)
- art of bodily movement, a dancelike affair in which the performer employs weapons. This is known as penchak seni tari dan seni tari bersenjata.
- avoiding movement, which Malaysians call elak mengelak
- side-striking tactics, which Malaysians refer to as tepis menipis
- kicking and falling techniques or sepak terajan
- stabbing tactics, called tikam menikam
- art of warriorship, classified by Malaysians as ilmu keperwira’an