When comparing aikijujutsu
some generalization is necessary because several styles of aikido and branches of daito-ryu
Although the technical influence of daito-ryu on aikido is still clear, according to Antonino Certa, a daito-ryu teacher in Milan, Italy, the two are now separate arts with different outlooks. Certa, a longtime student of aikido prior to taking up daito-ryu, stresses that genuine aikijujutsu is not simply “hard aikido” or “aikido plus strikes and weapons.”
For one thing, Certa found that the number of techniques in aikido is far fewer than in daito-ryu. Morihei Ueshiba distilled a core of about 20 main techniques — including shiho-nage, irimi-nage, kote-gaeshi, ikkyo
— as the basis for aikido. United Kingdom-based aikido instructor Dave Humm agrees but points out that aikidoka
can use those core techniques to generate an infinite number of variations based on circumstances, situations and methods of attack. The ethos, he says, is to be able to make any one of those applications fit any given situation.
In daito-ryu, however, the approach is very different. The techniques number several hundred, and each is performed only in a small number of situations for which it’s deemed most suitable — for instance, when kneeling, when standing, when attacked from behind, when attacked by a taller person and so forth. No attempt is made to fit a technique to all situations.
Sogaku Takeda’s son and successor, Tokimune Takeda, sits with students in their dojo in Hokkaido, Japan.
Certa found that aikido practice is generally conducted in a more “free” way than aikijujutsu, with a continuous flow and the use of circles to bind movements and applications together. In contrast, daito-ryu uses mostly formal, two-person kata
practice. The techniques are short and direct, and tend to be more linear and angular than circular.
Daito-ryu also tends to favor throwing with a dropping motion, rather than an outward projection as in aikido. The objective in daito-ryu is to keep the thrown
enemy close so he can be finished off, if need be. Also, where aikido often favors controlling (osae)
the opponent without causing excessive pain or injury, daito-ryu leans toward breaking (kansetsu).
Another important point is that daito-ryu doesn’t claim to be a purely defensive system: There are several formal techniques in which one makes a pre-emptive attack rather than waiting for the enemy to strike first.
Although much of aikido seems to be practiced as a defensive form, Humm believes that it can be employed proactively in real situations simply by changing the mind-set. His experience as a prison officer serving in high-security establishments has shown that while the application looks nothing like the techniques in the dojo, the principles behind the techniques (distancing, blending and unbalancing) are definitely valid and have served him well when he’s had to initiate encounters.
The martial and often brutal spirit of daito-ryu is illustrated by the explanations of Takeda’s son and successor Tokimune Takeda. In an interview in Daito-ryu Aikijujutsu,
by Stanley Pranin, Tokimune states, “The essence of daito-ryu is to keep alert until you have cut the enemy’s throat.” In modern times, health and safety regulations and the hassle of lawsuits make it a little impractical to actually cut the throats of partners in training. Therefore, the essence of the final kill has been preserved in a symbolic way: The practitioner delivers a sword-hand strike to the downed opponent, accompanying it with a sharp kiai.
Daito-ryu features more use of atemi waza
techniques) than do most aikido styles. In the early days, aikido training did include a large amount of striking — Ueshiba is famously quoted as saying, “Atemi is 99 percent of aikido” — but this seems to have been de-emphasized in many styles as the years progressed. The atemi in daito-ryu use the fist, the edge of the hand, the elbow and the feet, and are crucial parts of many techniques.
There’s also a difference in the use of weapons. Some daito-ryu branches incorporate the classical sword style of ono-ha itto-ryu
and consider kenjutsu
important for understanding the daito-ryu system. In addition to the sword, some techniques involving the tessen
(iron fan), jutte
(throwing stars) and other weapons are taught at the higher levels in some branches. A few substyles of daito-ryu are alleged to contain aiki nito
(two-sword) and spear techniques, but they’re rarely seen today. Aikido, on the other hand, is largely an unarmed art, although some styles, notably the iwama
style, do include some sword
The advanced teachings of daito-ryu also include aiki no jutsu,
which are throwing techniques that appear to have been one of Ueshiba’s specialties, forming the basis for the kokyu nage
(breath throw) of aikido.
Certa regards aiki as an important part of daito-ryu but eschews the kind of fantastical interpretations described earlier. In the above-mentioned interview, Tokimune Takeda remarked that, “Aiki is to pull when you are pushed, and to push when you are pulled.” Certa met and studied under Tokimune prior to the latter’s death in 1993 and seems to share this pragmatic view. In his opinion, aiki is but one of the tactics a skilled fighter can use. At a mechanical level, it’s a particular way of meeting force that differs from simply opposing or yielding. He offers this illustration: The opponent attacks and projects his force against the defender, who momentarily resists. That makes the attacker react in the opposite direction, and the defender yields in that new direction using the force of both people to execute a throw.
Rather than being a secret “no contact” power, it’s an application of physics, physiology and psychology.
Daito-ryu aikijujutsu and aikido are very different arts, despite their technical and historical links. Neither can be called better than the other, as they have quite different objectives. It would be wrong to assume that aikijujutsu practitioners are automatically better at fighting.
A good way to summarize things is to say that aikido is a modern philosophy and way of life that can also be an effective defense system, while aikijujutsu is a classical combat system that can also lead to self-improvement.
As for the exact meaning of aiki, it has proved difficult to pin down with a single definition. In fact, interpretations vary enormously from art to art and even from teacher to teacher. But returning to the question posed at the beginning of this article — namely, What’s so aiki about peace, love and understanding? — the true answer must be: Originally, nothing!
Read Part 1 of this article here.
About the author:
Dr. Nick Hallale has practiced the Chinese and Japanese martial arts since 1988. He has a Ph.D. in chemical engineering and taught for several years at the University of Manchester in England. He has written freelance articles about the martial arts for the past 10 years. The author is grateful to Antonino Certa and Giacomo Merello of Milan, Italy, for providing much of the technical information about daito-ryu. He also wishes to thank Dave Humm of the Higashi Kaigan Aikido Dojo in England.
(Photos courtesy of Antonino Certa)